Pre-order: Orders for the Paperback Edition will begin shipping in early June

Female fronted emo from the First State. Only 100 miles from D.C., Delaware enjoyed no immunity to emo. Wilmington’s Jade Tree held down the state’s first entries, foisting a 7" and album by label co-founder Darren Walters’ Railhed project onto unsuspecting Swiz and Universal Order of Armageddon customers. Railhed drummer Nick Rotundo played a key role in the shadow of the Twelve-Mile Circle, setting up Clay Creek Recording Studio in his wood-paneled Newark home and documenting local heroes Boysetsfire, Clevinger, and Network 34 in the process. “Without Nick, there would be no punk scene,” Eldritch Anisette bassist Marc Krupanski said. “He was an anchor in our fucked-up family of misfits and punks.” They called themselves The Enoch Collective, a group of young adults putting on $4 shows at VFW halls, churches, and Girls Inc. locations.

Named by an awkward marriage of H.P. Lovecraft’s Eldritch Tales and the aniseed Mediterranean liqueur, Eldritch Anisette formed in spring 1996 when members of Clevinger and Network 34 showed the elasticity of adolescence. Singer Courtney Miller and guitarist Allen Hitchens were old enough to drink, while the rhythm section of Krupanski and drummer Tim Nichols had just gotten their licenses. That age gap is heard in the band’s varied influences, from Samiam to screamo, Samuel to The Sundays. “My biggest writing influences at the time were Harriet Wheeler and Tori Amos,” Miller said. “The subjects they explored felt really relatable and in some cases challenged me to feel more comfortable with putting work out there that was sometimes thematically difficult.”

In winter ’97, they booked time at Clay Creek and spent two days tracking their six-song oeuvre, at a cost of $100. “Suckerpunch,” “Pessimism Goes To Work,” and “Dissection of Silence” were selected for a 7", the others relegated to a DAT Rotundo held onto for safekeeping. The band deteriorated shortly after the record’s spring ’97 release. Collected here for the first time are the band's complete recordings, pressed in an edition of 500 and housed in a hand screened chipboard jacket with lyric insert for easy scream alongs with the kids.

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